Now the masterful Irish writer Colm Tóibín puts a Obedient, observant-has echoed down two millennia, cementing a potent ideal in Language, its almost shocking characterization, its austere refusal ofĬonsolation.” - New York Times Book ReviewĪnd poetic…A powerful, devastating story.” - Washington PostĮxquisite novella…Tóibín gives a familiar story startling intimacy.” - New Yorker One-woman show in Dublin, it takes its power from the surprises of its Lyrical best in The Testament of Mary…Originally performed as a Heartfelt, powerful work.” - Wall Street Journal Testament of Mary is a spellbinding, surprisingly reverent book.” - Entertainment Weekly “Streep’s voice is familiar to generations of moviegoers, but its beauty as an instrument can be appreciated in this context as it often cannot be in films.…Tóibín's exquisite book rendered by Streep with all its detached, quiet, consoling humanity intact.” “Streep has an impressive ability to crest the structurally intricate sentences Tóibín has fashioned, which sometimes have the flowing, rhythmic cadences of certain passages in the Bible itself,” Isherwood writes of her performance. Now Meryl Streep brings Tóibín's tour de force of imagination and language to unforgettable life with “simplicity, honesty, a clarity that draws us into the emotional landscape of the book through the beauty of the writing,” writes Charles Isherwood in the New York Times Book Review. This woman who we know from centuries of paintings and scripture as the docile, loving, silent, long-suffering, obedient, worshipful mother of Christ becomes a tragic heroine with the relentless eloquence of Electra or Medea or Antigone, in a portrait so vivid and convincing that our image of Mary will be forever transformed. She does not agree that her son is the Son of God nor that his death was "worth it" nor that the "group of misfits he gathered around him, men who could not look a woman in the eye," were holy disciples. They are her keepers, providing her with food and shelter and visiting her regularly. She has no interest in collaborating with the authors of the Gospel. In the ancient town of Ephesus, Mary lives alone, years after her son's crucifixion. Shortlisted for the Man Booker Prize, Colm Tóibín's The Testament of Mary presents Mary as a solitary older woman still seeking to understand the events that become the narrative of the New Testament and the foundation of Christianity.
Tóibín’s tour de force of imagination and language is a portrait so vivid and convincing that our image of Mary will be forever transformed.Meryl Streep’s performance of Colm Tóibín's acclaimed portrait of Mary is hailed by the New York Times Book Review as “an ideal audiobook,” presenting the three-time Academy Award-winner in “yet another great role.” This woman whom we know from centuries of paintings and scripture as the docile, loving, silent, long-suffering, obedient, worshipful mother of Christ becomes a tragic heroine with the relentless eloquence of Electra or Medea or Antigone. Mary judges herself ruthlessly (she did not stay at the foot of the cross until her son died-she fled, to save herself), and her judgment of others is equally harsh. She does not agree that her son is the Son of God nor that his death was “worth it” nor that the “group of misfits he gathered around him, men who could not look a woman in the eye,” were holy disciples. She has no interest in collaborating with the authors of the Gospel, who are her keepers. In the ancient town of Ephesus, Mary lives alone, years after her son’s crucifixion.
“Tóibín is at his lyrical best in this beautiful and daring work” (The New York Times Book Review) that portrays Mary as a solitary older woman still seeking to understand the events that become the narrative of the New Testament and the foundation of Christianity-shortlisted for the 2013 Man Booker Prize. 2014 Audie Award Finalist for Audiobook of the Year, Literary Fiction, and Solo Narration-Female!
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